PROGRAMM 2015
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- 24 MAI 2015 - 19h
ENSEMBLE D'ARTS (Rafelbunyol/Spain)
PROGRAMM Lonh (1996), soprano and electronics
MITWIRKENDE Soprano, Conxi Valero
IN ZUSAMMENARBEIT MIT
Ensemble d’Arts tiene como finalidad la promoción y divulgación de la música de nueva creación, de manera especial aquella que hace uso de las nuevas tecnologías. Ensemble d’Arts cuenta en su formación con solistas de dilatada trayectoria profesional en la interpretación de la música de nueva creación y tiene su sede en el Auditori Rafelbunyol, del cual es grupo residente. Ensemble d’Arts es el promotor y organizador de: /// Projecte Rafel Festival, Festival internacional anual en el que participan algunos de los ensembles y solistas más representativos en cuanto a la difusión de la música de nueva creación. /// ElectroRafel SOUNDS, ciclo de conciertos que forman parte de la programación artística del Auditori Rafelbunyol. /// ImpulsRafel, ciclo anual de conciertos en el que jóvenes compositores muestran sus creaciones y que son interpretadas por jóvenes intérpretes. http://ensembledarts.com/sample-page/
Gary Berger. Geboren 1967. Schlagzeugstudium an der Musikhochschule Zürich. Kompositionsstudium bei Julio Estrada in Paris, sowie bei Gerald Bennett und Daniel Glaus an der Hochschule Musik und Theater Zürich (Kompositionsdiplom 2002). Kompositionskurse bei Iannis Xenakis, Michael Jarrell, Salvatore Sciarrino, Chaya Czernowin und Luca Francesconi. 1998/1999 Arbeitsstipendium des FST – Föreningen svenska tonsättares, Stockholm. Ausbildung in Elektroakustischer Musik am Schweizerischen Zentrum für Computermusik sowie bei Curtis Roads am UPIC (Unité Polyagogique Informatique du CEMAMU) in Paris. Anschliessend praktische Arbeiten am IRCAM in Paris. Spezialisierung auf zeitgenössische Musik und die Interpretation Live-Elektronischer Aufführungen. 1999/2001 Preisträger des CIMESP (Concurso Internacional de Música Eletroacústica de São Paulo), Brasilien. 2001 Stipendiatsaufenthalt im Künstlerhaus Casa Pantrovà im Tessin. 2004 Arbeitsstipendium der Stiftung Binz39 und des Kantons Graubünden im Künstlerhaus NAIRS in Scuol. 2005 Werkjahr für Komposition der Stadt Zürich. 2006 Composer-in-Residence beim Institut International de Musique Electroacoustique de Bourges, Frankreich. 2007 Förderpreis für Komposition des Kantons Graubünden. 2008 Auftragswerk des Lucerne Festival. 2009 Auftragswerk der Ensemble Phoenix, Basel. 2011 Stipendium des Aargauer Kuratorium für einen künstlerischen Aufenthalt in Berlin-Mitte. 2012 Auftragswerk des Collegium Novum Zürich. 2013 Auftragswerk des Ensemble Adapter Berlin. 2014 Auslandatelier-Stipendium der Stadt Zürich für einen künstlerischen Aufenthalt in Berlin-Mitte. 2014 Preis der FONDATION SUISA für Instrumentale/vokale Komposition und Elektronik. 1998 bis 2001 künstlerischer Leiter der Konzertreihe musica moderna in Wädenswil. Gründer und Mitglied des elektroakustischen Ensemble STROM und NOTSTROM. 2005 bis 2010 Gründer und künstlerischer Leiter der Konzertreihe generator für elektroakustische Musik und Neue Medien der Zürcher Hochschule der Künste. 2010 Gründer und künstlerischer Leiter des Ensemble soyuz21 – zeitgenössische musik vernetzt. Gary Berger ist seit 2001 Dozent für elektroakustische Musik an der Zürcher Hochschule der Künste. Gastvorlesungen über elektroakustische Komposition an der Hochschule für Musik Hanns Eisler in Berlin, Musikhochschule Franz Liszt in Weimar, an der Musikhochschule Luzern und an der Hochschule für Gestaltung und Kunst Luzern, an der Musikhochschule Lugano sowie am Landeskonservatorium Feldkirch. Er ist seit 2012 freier Mitarbeiter des Experimentalstudios des SWR und seit 2014 Mitglied des Collegium Novum Zürich. Das Werk von Gary Berger umfasst Kompositionen für Solo-Instrumente und Ensemblebesetzungen, beides mit und ohne Elektronik, sowie Tonbandwerke. Seine Kompositionen werden von der Schweizer Musik Edition vertrieben. Seine Werke wurden an verschiedenen Festivals gespielt, so zum Beispiel am Lucerne Festival, Wien Modern, an den Nordic Music Days Stockholm, den Tagen für Neue Musik Zürich, am Festival Archipel Genf, an den World New Music Days, am Europäischen Musikmonat, am Festival Musica Scienza Rom, Sound Field Festival Chicago, Festival Sinkro Spanien sowie an Festivals in Berlin, Stuttgart, Wien, Dresden, Weimar, Bourges, Sao Paulo, Luxembourg, Sofia, Krakau etc. und von zahlreichen Radiostationen aufgezeichnet und gesendet. Er erhielt Kompositionsaufträge von der Schweizer Kulturstiftung Pro Helvetia, Tage für Neue Musik Zürich, des Lucerne Festivals, des Europäischen Musikmonats 2001 Basel, Festival für Neue Musik Rümlingen, Gruppe für Neue Musik Baden, der ISMC World New Music Days 2004, des IMEB Institut International de Musique Electroacoustique de Bourges – Frankreich, der Stadt Zürich, der Stadt Basel und anderen. Seine Werke wurden u.a. aufgeführt durch das Collegum Novum Zürich, Ensemble Cattrall, Ensemble Phöenix, Ensemble Laboratorium, Ensemble Adapter Berlin, KammarensembleN, Ensemble B.E.A.M., Ensemble fonos 21, Color of Sound Ensemble, dem Arte Quartett, Ensembles United Instruments of Lucilin, Arion-Quintett, Duo Canto Battuto, Absolut Trio, Swiss-Australian Collectables, Wiener Saxophon-Quartett, Lucerne Festival Percussion Group usw. Mehrere Portraitsendungen bei Schweizer Radio SRF 2, Radio Suisse Romande - Espace2, SWR2, Mitteldeutscher Rundfunk sowie dem Deutschlandfunk. Er lebt als freischaffender Komponist in Zürich und Berlin
Arturo Corrales (*1973), started from his childhood music and painting. He acquires a degree in architecture as well as a first music formation in his home town, El Salvador (guitar, keyboards, theory with German Cáceres and Joseph-Karl Doetsch). He concludes his studies in Geneva and Lugano : composition with Eric Gaudibert, Nicolas Bolens, Michael Jarrell, Nadir Vassena ; electroacoustics with Rainer Boesch, Luis Naón, Eric Daubresse ; orchestral conducting with Giorgio Bernasconi. Price Edmund Pendleton 2004, co-founder of the Ensemble Vortex in Geneva, and Master of musicology in Paris VIII with the composer Horacio Vaggione. Of determinedly experimental conception, its work of creation is often inspired by ethnic and popular domains. Constantly attentive to the formal coherence of his works, to the control of their projection in space and time, he wants to facilitate the expression and the perception of a "livable and human" music. Next to his activities of composer, interpreter and conductor, Arturo Corrales teaches the guitar and is a professor of composition and analysis in the Conservatoire Populaire de Genève. He prepares a doctoral thesis on the theme Musical Figures. http://www.arturocorrales.com/
Carlos D. Perales. Composer and researcher focused on the acoustic sound extension through the expression possibilities of the electronic devices and the human-computer interaction. He has a works catalogue that includes from soloist works to symphonic and large Opera. He has worked closely with the most important musicians of the international scope: KonArt, Kontakte, Smash ensemble, Plural ensemble, Taller Sonoro, X. Pestova, V. Trescolí, X. Giner, I. Alberdi, J. Elvira, D. Kientzy, etc. His works have been awarded at international competition contest like 'Miniaturas Electroacústicas' - Confluencias (Huelva, 2008), NexeDuet competition (Valencia, 2009), Laboratorio del Espacio LIEM-CDMC (Madrid, 2010), XXII Composition Contest SGAE Fundación Autor-CNDM (Madrid, 2011), Rainy Days – Toy Piano World Summit (Luxembourg, 2012), Musica Nova (Prague, Czech republic, 2012), Luigi Russolo (Annecy, France, 2012), Fundación Destellos (Argentine, 2013); and premiered at international music festivals such as CFA (Singapore 2006), Festival Internacional de la Imagen (Colombia, 2008), Synthese (Bourges, France 2009), IDKA, FYLKINGEN (Sweden, 2010), Primavera Electroacústica (la Habana - Cuba, 2010), Greece (CIME 2011), Musicacoustica – Beijing (CIME 2012), Architectures Contemporaines (Marseilles, France, 2011), Audio Art (Krakovia, Poland 2012), Punto de Encuentro (Valencia), Sinkro (Vitoria), Zeppelin (Barcelona), Off_herzios (Valencia), Klem - Kuraia (Bilbao), etc. Author and developer of MacOSX application ‘Acoustbl’. PhD by Universidad Politécnica de Valencia where is guest lecturer at ‘Artes Visuales y Multimedia’ Maters Degree. Since 2014 lectures Composition & Electroacoustic music at Conservatorio Superior de Música de Castilla-la Mancha. He was born in 1979 in Úbeda (Jaen).
Miguel Angel Berbis López. FORMACIÓN --- Título Superior de Composición e Instrumentación en el Conservatorio Superior de Valencia con los profesores Ramón Ramos, Gregorio Jiménez, Francisco Tamarit y Roberto Forés. Título Superior de Dirección de Coros en el Conservatorio Superior de Valencia con el profesor Eduardo Cifre. Título Superior de Trombón en el Conservatorio Superior de Valencia con el profesor Joaquín Vidal. Durante los años 2004 y 2005 asistió a los Cursos Internacionales de Música de Tarragona en la especialidad de Composición impartidos por Agustín Charles. Durante los años 2006 y 2007 ha sido becado por INJUVE (Instituto Nacional de la Juventud de España) para los Encuentros de Composición de Musica Contemporánea, en donde ha asistido a clases deMauricio Sotelo, Kaija Saariaho, Martín Matalón, Philippe Hurel, Hilda Paredes, Poul Rouders y Jesús Ruedaentre otros. Actualmente prepara el trabajo de investigación del programa de Doctorado en Música por la Universidad Politécnica de Valencia. PREMIOS --- Premio final de carrera en Contrapunto y Fuga. Mención de Honor final de carrera en trombón. Premio “Hui, Hui, Hui Música” para jóvenes compositores organizado por Ars XXI y patrocinado por laSGAE y la editorial Piles. DOCENCIA --- Desde el año 2003 al 2005 ha trabajado como Profesor de Fundamentos de Composición en los Conservatorios Profesionales de Elda (Alicante) Vall d’Uixò (Castellón) y Catarroja (Valencia) Desde el año 2005 a la actualidad trabaja como Profesor de Orquestación e Instrumentación en el Conservatorio Superior de Castellón, desde el año 2007 además imparte Informática Musical y Composición Electroacústica.
Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive ‘Ears Open’ group. She continued her studies in Freiburg with Brian Ferneyhough and Klaus Huber, at the Darmstadt summer courses, and, from 1982, at the IRCAM research institute in Paris – the city which has been most of the time her home ever since. At IRCAM, Saariaho developed techniques of computer-assisted composition and acquired fluency in working on tape and with live electronics. This experience influenced her approach to writing for orchestra, with its emphasis on the shaping of dense masses of sound in slow transformations. Significantly, her first orchestral piece, Verblendungen (1984), involves a gradual exchange of roles and character between orchestra and tape. And even the titles of her next, linked, pair of orchestral works, Du Cristal (1989) and …à la Fumée (1990) – the latter with solo alto flute and cello, and both with live electronics – suggest their preoccupation with colour and texture. Before coming to work at IRCAM, Saariaho learned to know the French ‘spectralist’ composers, whose techniques are based on computer analysis of the sound-spectrum. This analytical approach inspired her to develop her own method for creating harmonic structures, as well as the detailed notation using harmonics, microtonaly and detailed continuum of sound extending from pure tone to unpitched noise – all features found in one of her most frequently performed works, Graal théâtre for violin and orchestra or ensemble (1994/97). Later Saariaho has turned to opera, with outstanding success. L’Amour de loin, with a libretto by Amin Maalouf based on an early biography of the twelfth-century troubadour Jaufré Rudel, received widespread acclaim in its premiere production directed by Peter Sellars at the 2000 Salzburg Festival, and won the composer a prestigious Grawemeyer Award. Adriana Mater, on an original libretto by Maalouf, mixing gritty present-day reality and dreams, followed, again directed by Sellars, at the Opéra Bastille in Paris in March 2006. Emilie, an opera and monodrama for Karita Mattila had its premiere in Lyon in March 2010. Around the operas there have been other vocal works, notably the ravishing Château de l’âme (1996), Oltra mar (1999), and the song-cycle Quatre instants (2002). And the evening-long La Passion de Simone, portraying the life and death of the philosopher Simone Weil, formed part of Sellars’s international festival ‘New Crowned Hope’ in 2006/07. The experience of writing for voices has led to some clarification of Saariaho’s language, with a new vein of modally oriented melody accompanied by more regular repeating patterns. This change of direction has been carried over into orchestral works including Aile du songe for flute and chamber orchestra (2001) and the stunning Orion for large orchestra (2002) , Notes on Light (2006) for ‘cellist Anssi Karttunen and the Boston Symphony Orchestra and the Bergman inspired Laterna Magica (2008) for Sir Simon Rattle and the Berlin Philharmonic Orchestra. Most recently D’OM LE VRAI SENS, was written for the clarinettist Kari Kriikku. In the profusion of large and small works which Saariaho has produced in recent years, two features which have marked her whole career continue to stand out. One is a close and productive association with individual artists – not least Amin Maalouf and Peter Sellars, as well as the conductor Esa-Pekka Salonen, the flautist Camilla Hoitenga, the ‘cellist Anssi Karttunen, the soprano Dawn Upshaw and, the pianists Emmanuel Ax and Tuija Hakkila . The other is a concern, shown equally in her choice of subject matter and texts and in the profusion of expression marks in her scores, to make her music not a working-out of abstract processes but an urgent communication from composer to listener of ideas, images and emotions. Saariaho has claimed the major composing awards in The Grawemeyer Award, The Wihuri Prize, The Nemmers Prize and in 2011 was awarded The Sonning Prize. In May 2013, Saariaho was awarded the Polar Music Prize. In 2015 she will be the judge of the Toru Takemitsu Composition Award. In 2012, Circle Map was commissioned by the Royal Concertgebouw Orchestra, the Boston Symphony Orchestra, Gothenburg Symphony Orchestra, Orchestre National de France, Royal Scottish National Orchestra and Stavanger Symphony Orchestra. The piece has been inspired by six poems of Rumi. These poems recited in Persian are used as the material for the electronic part. Circle Map was premiered by Amsterdam’s Royal Concertgebouw Orchestra conducted by Susanna Mälkki at the Westergasfabriek Gashouder, Amsterdam on June 22 2012. In 2013, the chamber version of Saariaho’s oratorio ‘La Passion de Simone’ was presented at Melos Ethos Festival, Bratislava. In May 2014, ‘Maan varjot’ for organ and orchestra will be premiered by Olivier Latry and the Montreal Symphony Orchestra conducted by Kent Nagano. A further performance will take place in June with the Orchestre de Lyon and the Philharmonia in London conducted by Esa-Pekka Salonen. The music of Kaija Saariaho is published exclusively by Chester Music and Edition Wilhelm Hansen, part of the Music Sales Group of Companies.
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